Location: The Metropolitan Museum of Art, New York
About Artwork: (1645) "Flinck studied as a pupil in Rembrandt’s studio and, according to one early biographer, had so internalized his teacher’s method within a year that his paintings were sold as the master’s own. This tronie, or study of an interesting face, reveals Flinck’s debt to Rembrandt in its use of flamboyant costume and attentiveness to the sitter’s craggy facial features. However, by the time he made this work, Flinck had distinguished himself by developing a much smoother manner of painting than Rembrandt, one that would serve him well as a society portraitist." - (The Metropolitan Museum of Art, New York)
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